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Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements in Danto's new- Hegelian art theory. In a provocative encounter, they employ themes from Kantian aesthetics to elucidate the continuing persistence of taste in shaping even this most sophisticated philosophy of art.
Danto, Arthur C.; Horowitz, Gregg; Huhn, Tom; Ostrow, Saul
| Author | Arthur C. Danto, Gregg Horowitz, Tom Huhn, Saul Ostrow |
| ISBN-13 | 9781134395453 |
| Publisher | Taylor & Francis |
| Publication Date | 09/13/2013 |
| Series | Critical Voices in Art, Theory and Culture |
| Page Count | 240 pages |
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