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This book is a collection of fourteen essays on the Dialogues on Painting, published by the Florentine-born Spanish painter and art theorist Vicente Carducho (1568-1638) in 1633. This was the first treatise in Spanish on the art of painting, written as part of a campaign led by Carducho in collaboration with other prominent painters working in Madrid, to raise the status of the artist from artisan to liberal artist. The treatise provides an overview of the melding of Italian Renaissance art theory and Madrilenian practice in the baroque era. It also offers first-hand insight into collecting in Madrid during this crucial period in the rapid expansion of the capital city. The present collection of essays by art historians and hispanists from the UK, Spain, Germany and the US examines each of the dialogues in detail, furnishing an account of Carducho's campaign to establish a painting academy and to professionalise the office of the painter; detailing the publication history of the treatise and the interrelationship between painting and poetry; and it cites Carducho's own painting in relation to the Italian and Spanish traditions within which he operated.
Jean Andrews is Associate Professor in Spanish, Portuguese and Latin American Studies at the University of Nottingham. Jeremy Roe is a Postdoctoral Research Fellow at the Centro de História d'Aquém e d'Além-Mar at the Universidade Nova Lisboa, and an Honorary Research Fellow in the Department of Spanish, Portuguese and Latin American Studies at the University of Nottingham. Oliver Noble-Wood is Fellow and Tutor in Modern Languages at Hertford College, University of Oxford.
| Author | Jean Andrews, Jeremy Roe, Oliver Noble Wood, Jean Andrews (Other), Jeremy Roe (Other), Oliver Noble Wood (Other) |
| ISBN-13 | 9781783168613 |
| Publisher | University of Wales Press |
| Publication Date | 07/15/2016 |
| Series | Studies in Visual Culture |
| Page Count | 432 pages |
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