Modern Sanskrit and the Rise of Life Writing: Genre, Self, and Narrative

This book challenges the prevailing notion that Sanskrit 'died' centuries ago by examining an unexplored frontier: modern life-writing in Sanskrit. Countering colonial-era assumptions that only ancient Sanskrit literature merits scholarly attention, this volume demonstrates how contemporary Sanskrit authors have revitalized the language through autobiographical and biographical narratives, genres that never fully developed in classical Sanskrit literature. Divided into two parts, the book first explores autobiographical writing, analyzing how contemporary authors use Sanskrit prose and verse to record lived experiences, from Partition trauma to everyday life accounts. Freed from traditional patronage constraints, these writers employ innovative forms while maintaining creative continuity with earlier literary traditions. The second section examines biographical narratives, exploring how modern biographers adapt Western genres to South Asian contexts and other multifaceted issues. It also features a pioneering translation of a Dalit life story into a language historically associated with elite culture. Focusing on authors writing between the late nineteenth century and present day, the contributors employ close reading, autobiography theories, trauma studies, memory studies and other relevant approaches to shed light on these texts. Their analysis reveals how Sanskrit writers navigated the transition from pre-modern to modern eras, experimenting with European literary models while remaining rooted in Sanskrit literary tradition. This thematically coherent collection fills a critical gap in scholarship on modern Sanskrit literature, offering the first sustained study of a single concept across contemporary Sanskrit works. By surveying these life narratives, the volume illuminates the literary, historical, and cultural contexts that shaped modern Sanskrit's development, demonstrating the language's continued vitality as a creative medium and challenging assumptions about linguistic death and literary stagnation. The volume will be of great interest to scholars and researchers of Sanskrit literature, literary studies, especially translation studies, South Asian studies, and cultural studies.

About the Author

Lidia Sudyka is Professor in the Department of Languages and Cultures of India and South Asia at the Institute of Oriental Studies, Jagiellonian University, Kraków, Poland. Her research interests focus on classical Sanskrit literature (kāvya), Indian theory of literature, contemporary and historical forms of textual transmission, women's writing in Sanskrit, and modern Sanskrit literary production. She is the author of numerous research articles, four monographies and the Editor-in-chief of the Cracow Indological Studies journal.

David Pierdominici Leão obtained Ph.D. degree at Sapienza University of Rome under the supervision of Prof. Raffaele Torella. In the years 2019-2023 he was principal investigator of the project The Fish on Mount Meru: regionalism and Sanskrit cosmopolis in the Pāṇḍya identity and dynastic autoperception from the Caṅkam era to the 17th century.