Buy 2 get 1 free. Everything is calculated at checkout.

Imago Dei: The Byzantine Apologia for Icons

$49.00

Buy 2, get 1 free. Applied automatically at checkout.

Before you buy

  • Check your email at checkoutYour download link is sent to the address you enter, so make sure it's typed correctly.
  • This is a digital PDFNothing is shipped. The download link arrives by email right after payment.
  • 30-day money-back guaranteeIf the file doesn't work, we'll replace it or refund you.
Can't find the ebook you want?

Send us a photo of the cover in live chat and we'll look for it. We usually reply within 10 minutes.

About this book

A sweeping account of the controversies surrounding the worship of images in the early Byzantine churchIn 726, the Byzantine emperor, Leo III, issued an edict that all religious images in the empire were to be destroyed, a directive that was later endorsed by a synod of the church in 753 under his son, Constantine V. If the policy of Iconoclasm had succeeded, the entire history of Christian art—and of the Christian church, at least in the East—would have been altered.Iconoclasm was defeated by Byzantine politics, popular revolts, monastic piety, and, most fundamentally of all, by theology, just as it had been theology that the opponents of images had used to justify their actions. Analyzing an intriguing chapter in the history of ideas, the renowned scholar Jaroslav Pelikan shows how a faith that began by attacking the worship of images ended first in permitting and then in commanding it.Pelikan charts the theological defense of icons during the iconoclastic controversies of the eighth and ninth centuries, whose high point came in 787, when the Second Council of Nicaea restored the cult of images in the church. He demonstrates how the dogmas of the Trinity and the Incarnation eventually provided the basic rationale for images: because the invisible God had become human and therefore personally visible in Jesus Christ, it became permissible to make images of that Image. And because not only the human nature of Christ, but that of his Mother had been transformed by the Incarnation, she, too, could be “iconized,” together with all the other saints and angels.The iconographic “text” of the book is provided by one of the very few surviving icons from the period before Iconoclasm, the Egyptian tapestry Icon of the Virgin now in the Cleveland Museum of Art. Other icons serve to illustrate the theological argument, just as the theological argument serves to explain the icons.In an incisive foreword, Judith Herrin explains the enduring importance of the book and discusses how later scholars have built on Pelikan’s work.Please note: All images in this book are presented in black and white and have been reduced in size.

About the Author

Jaroslav Pelikan (1923–2006) was the author of more than thirty books, including the five-volume Christian Tradition: A History of the Development of Doctrine . In 2004, he received the John W. Kluge Prize for Lifetime Achievement in the Human Sciences. Judith Herrin is professor emeritus in the Department of Classics at King’s College London.

Author Jaroslav Pelikan, Judith Herrin (Foreword by)
ISBN-13 9780691252735
Publisher Princeton University Press
Publication Date 10/17/2023
Series The A. W. Mellon Lectures in the Fine Arts
Page Count 224 pages

Book details

Format
PDF, instant download
Language
English

Why buy here

Instant

The PDF is delivered as soon as your payment clears, day or night.

Complete

The full edition, every chapter, no missing pages.

24/7

Questions about your order? Message us in live chat any time.

Secure

Encrypted checkout with all major cards and wallets.

Keep reading

You may also like