Buy 2, get 1 free. Applied automatically at checkout.
Send us a photo of the cover in live chat and we'll look for it. We usually reply within 10 minutes.
Pop art was essential to the Americanization of global art in the 1960s, yet it engendered resistance and adaptation abroad in equal measure, especially in Paris. From the end of the Algerian War of Independence and the opening of Ileana Sonnabend's gallery for American Pop art in Paris in 1962, to the silkscreen poster workshops of May '68, this book examines critical adaptations of Pop motifs and pictorial devices across French painting, graphic design, cinema and protest aesthetics. Liam Considine argues that the transatlantic dispersion of Pop art gave rise to a new politics of the image that challenged Americanization and prefigured the critiques and contradictions of May '68.
Liam Considine is Lecturer in Art History at The New School and School of Visual Arts in New York.
| Author | Liam Considine |
| ISBN-13 | 9780429640605 |
| Publisher | Taylor & Francis |
| Publication Date | 10/28/2019 |
| Series | Routledge Research in Art History |
| Page Count | 176 pages |
The PDF is delivered as soon as your payment clears, day or night.
The full edition, every chapter, no missing pages.
Questions about your order? Message us in live chat any time.
Encrypted checkout with all major cards and wallets.
Keep reading
$49.00